Crinkly fabric of a width to make the Rogue One tunic? I don’t think it is one width. The depth of the folds was striking when I went looking for my own fabric and it’s at least two widths if not more (crinkled cotton is about 105-110cm wide). On the upside these are not straight rectangles- which is pretty logical when one looks at the drape. So I should have more than enough. I do need to sort out lining.
Following the crinkles and how they interact with the hems of both garments show just how deep the curve is and can help work out the width in total. The skirt being shaped is great, it means there is less bulk at the waist and hips so that the tunic can flow nicely from shoulder to hem.
Compare this tunic hem to the original and it’s a very similar shape but the Rogue one version is fuller and the fabric has deeper crinkles.
And the full tunic image shows the folds of the tucks pleats is very deep indeed.
Also interesting is the chain is actual chain.
It’s a fantastic break for costumers as this is a fairly standard kind of chain, and is a nice easy ~10mm wide and there are 12mm chains out there for taller people and 9mm for shorter. It’s called a “rope twist” and is often sold on ebay as a hip hop style chain. 2 30″ chains should be enough to include the wrap around the shoulder.
Of interest are her shoes. There is a definitely platform but it even looks like there is a heel. By which I mean we can’t see the shoe extend under the arch which means it has a separate heel.
I recently shared some of my art on instagram (@thefrockchick) of my own variations on The Snow Queen so it’s a fantastic coincidence that today I finally found some non-woven faux suede which is exactly what I need to recreate this gown which has also been on my must do list.
This gown was originally made from leather. It was dyed black and the skin side silver leafed and the reverse painted with a mica pigment that is a rich blue.
I can’t really afford that amount of leather not the weight (it’s about 35kg-40kg from what I remember) and the material I have is already over 10kg.
I worked out the pattern of the scales over a year ago but didn’t really attempt to work out actual amounts of “leather” needed. I should have enough if I am really careful and possibly not have quite an epic train. It might be a matter of a half meter short.
I do know how to treat the material to get the silver and blue sides (I’ll use “Misty Blue” Pearlx pigments, and probably resolene to bond it to the material) I just really need to get my template perfect to be able to make a scale pattern.
For the silver side I will probably also use pigments but maybe in a urethane paint system- I have gold and I think the silver will work especially if I also powder the urethane down so that there are particles that are embedded and some that are tacked down on one side.
But I love this costume because it uses both the familiar and unfamiliar. Woven leather and shot organza, a very loose gauze, and faceted beads.
It’s also basically shaped strips which is a challenge for patterning as you need to make sure the grain is aligned to the centre of each panel. So I might do a paper template, divide that and then snip and tape into new shapes.
I have to make some changes to my day to day activities if I want to make this at all, let alone soonish. So I’ll have to set myself some boundaries and stick with them.
I managed to get a one month subscription to Autodesk Remake (not easy with geo-locking and my country not being specified, and then I wasn’t sure where in the app to put my code (hint- cog-> welcome screen.) but so worth it! I’ll do this again later in the year as I have so much clay and now have a good idea of what the scan will capture.
With 186 photos:
vs the 50 before:
So tomorrow I’ll attempt the full 250 in the backyard (currently a bit swampy- thanks big storms) as this is a marked improvement! Also I’ll possibly even be able to take the horns off my head cast and try them in total isolation as well as get my head cast done.
I may also see if I can get my hands photographed 🙂
I am so wishing I was able to get the texture detail to work, it might make the model easier to capture in fact.
Sierra Boggess shared this image yesterday and can you see what has made me so excited? The fabric is thin. Well fairly thin- the flash and angle allows us to see her skin across the arm while the fabric looks more opaque closer to the armscye (where the fabric turns and follows the curve of her shoulder.) The sleeves are either unlined or lined with something very fine while the bodice is flat lined in a solid white.
I tend to double line my bodices and either not line or line my sleeves in a very thin material too.
Also if you follow the lines of the fabric on her sleeve you can see how very shallow the sleeve head is. This is both era appropriate and theatre appropriate as it means you can get your arms over your head. Notice the small wrinkles between shoulder and armscye? Yep. Modern patterns try to eliminate that by using a very tall sleeve head and that is what gives us limited arm range.
The effort to make a garment look good on the stand makes for a garment that is far less practical.
Anyway, just my thought process when I look at new/different images of the same garment 🙂 It’s all about the fit.
Oh and there is probably a bit of ease in the top of the sleeve head, I use three rows of stitches to do this rather than two as it does makes the fine gathers almost invisible.
I am ready to wear the daggy clothing with all the latex marks today, also to then work on my Cleves frock indoors, or tool the rest of Ahsoka’s armour. Whichever second activity is chosen will be down to working in the room or away from any potential to bump into the latex.
Yes I have done so.
Yes you can readily see this effect on the carpet out there.
They are carpet tiles. Well continuous lengths but the same stuff. So… will try to avoid any slumping anyway and also to cunningly cut the foam to allow for easy fitting once made up.
These photos clearly show the position and shape of the seams. Of note is the shallow princess seam (it is not very curvy) and the seam of the outer sleeve as well as the seam that starts on the arm and turns into a raglan shape. It is to be inferred that it needs to end somewhat near the neck based on how stable the shoulder region is.
The hemming needs to happen asap, the weight of the excess fabric is one issue but the main reason is that the fabric clings to carpet!