I got a really nice flow of writing today while having my yearly infusions so I am about ready to start typing it up and adding inline notes (WP doesn’t like footnotes apparently so it’s just easier) and also images.
I have held off this for so long because once you start asking “but why? where is the connection?” you then start the long journey of learning a new language (maybe two because of course Latin), learning about society and material culture, and what was prized and what was was fairly mundane.
And it is very hard to then answer that first question except by then really prodding at each and every resource and asking “what if we are wrong? what would that look like in all these connections.
So finally I have my article framed really quite well. I normally like to talk about structure first but this is an era and place where nothing I am describing can be found as an extant item. Nothing. So I have had to look at art and read documents that nearly exclusively detail what’s on the surface and using that to extrapolate the structure. And the various crafts ands trades people involved.
I can also look at other extant items and point to other art and say “see how that looks? That’s not what this looks like.” And that is at least helpful.
After years and years of searching I agree, yes, stickelchen does refer to headgear. It’s been harder to confirm than might be thought, however dictionaries of the region during the time frame that the term was used are rare. But one has been found. A copy and a transcription.
“sticksel” seems to be the original term. But it still may refer to the band at the front, not the bulk of it.
Why is is so difficult?
A “stuck” is a piece and “stick” can refer to a pointed stick, literally, or embroidery.
And “chen” is a diminuitive. Also “gin.”
So little embroidery just doesn’t seem correct for a rather large hat.
And at the time “perlen” was most frequently used to describe pearled pieces.
Many of the headpieces were pearled, or made from gold fabric, or covered in netted work. Rarely do they seem to be embroidered in a general sense.
The front piece more regularly is decorated in pearls or jewels.
Clothing is also tough. There are lots of garments, but very little in the way of definition. Rock might be a gown or it may be a skirt alone. And the lovely huge inventory I have is full of spanish styles!
I’ll just have to take time to read the full texts not just skim! 😉
My Mr Boo tribute fits in really nicely. He will need to be unpicked to put the embroidered body in place but I really wanted to test the shapes and embossing depth and get used to it first 🙂 he will have a little fat belly. He’ll have his ears and nose partly etched so his heart nose is really
But the rest of the leaves and pearls have been stitched down too 🙂
The front piece will need leaves to have holes stamped out of the end. So not doing that past 9pm as it is now though!
Okay, this has taken forever and I was trying to get this ready for.. tomorrow. AHAHAHAHAHHAAH!!!
But I decided to not take any shortcuts (except to stabilise layers before hand working.)
So this meant stretching the velvet and pearls over the base. Loose over handing of the back, then the front with tinier over handing.
Okay it’s not Anne’s because I do like a little room for interpretation and originality.
And this work? Well I had to carefully remove it all as a few branches were just off enough that I was not happy.
Rare back view as it doesn’t show that well on the form. Well it does but it doesn’t sit in the right place 🙂
And on top of the saree I picked up just tonight. It is vintage style and is very similar in hand to the saree I partially gave away a while back. This should decolour but it will be a little tougher than the recent saree.
There are a few larger gaps than intended in the stickelchen so there will be tidying tomorrow as well as tiny twigs like seen almost in the centre of the image below.
With all this, and with the news about the new schnittbuch it’s reinvigorated my desire to get The Frazzled Frau (boards under my name- all right at the top 🙂 ) back up and running. If there are pins from trusted sources I repin, if I have tracked down through image searches I pin anew and smile when it turns out others have pinned from the source too 🙂
Also, I have a single xml copy of my livejournal to go through- lj archive would be so perfect if it had editing capabilities. But ah well currently using a mix of apps that are better than notepad but not as flash as I’d really like. But that’s xml documents for you. But essentially finding all the for public posts and making them public again 🙂 I’ve been blogging since 2001 so it’s an old habit and it’s not always been easy finding the balance 🙂
Love. So in love. My hair has been lost and regained between first making and wearing to now, so I have to do something different with my haube. Right now the back of the one I wear under my pearled Braunchweig haube pushes the back of the stickelsche out of place. This style depends heavily on having braids just so and haube just so. But doesn’t really require much fussing once on. It’s just getting familiar with your hair and fabric properties 🙂
I am insanely happy with how the braid looks. Yep, it is laid over pearls rather than all being flat as that is the dimensionality that is seen in all forms of pearl work from this region. The tapering is right as well, I just used pearls that were oversized originally and while I know this I want to keep a lot of my original work as possible.
But look! There may even be enough leaves to really fill in the back, but that may be part of the work that will go into joining the sides together 🙂
Today also saw the skirt linings cut for two gowns. Yep. Pink. Pink is returning to the wardrobe 🙂
Oh hey, also went on a saree buying spree! This one was a spur of the moment buy when I picked up the ones intended for the cleves hem 🙂
The gold tone trim it what I grabbed these for and totally didn’t realise there was potential for the coloured embroidery….. now there are Thoughts(tm).
This one was riskier. not sure if it’s easy to spot but those repeats can be cut in half to mimic the trim of the Moulin Rouge wedding gown. It’s a start. Also once in hand it does look like thr ground of the repeats is cotton so it should decolour really nicely!
But there is a lot of unpicking over the next few days!