It’s real. But it’s because the rest of the world has discovered all my usually quiet online spaces and filled them with far too much to catch up with. I’ve also not really finished any projects as they are all intensive and difficult and I do not have all the materials I need!
But the Cleves projects are currently my focus as I do not want to be without my Hat and red frock any longer. The Hat was made over twice, but the frock has been in pieces for years. I did though bond the new plush velvet guarding to a light cotton base and have enough to play with if I decide to change some things.
I did start making this over a while back which required cutting new sleeves from a strip of fabric from the back of the skirt as I never found that same red again. With a very recent portrait find I might not have needed to do that but well.. it’s been done.
I need more fabric to add extra width to the skirt back.
Today some red velveteen arrived and it is soooo close but is a shade too light. I’m hoping I can hint it deeper with some cerise red dye. I’m hoping some other velveteen I ordered is a closer match but if not I know I can use this if I can devote a day to working with dye, hot water, and a large container outdoors. It’s a full body experience I really need to prepare for. Fibro and RA are flaring a bit which means more rest and more therapy.
But it is such a relief! I made this not long before I was elevated as a Laurel and it was so different that I am really really really desperate to wear it again after about 14 years! With the return of my Teal frock I’m really feeling the need to get my older work up to date 🙂
One of the aspects I want to discuss is the fabric colour and fabric choices. Red is a very striking choice for a frock. It’s not common, at all, for the decade I made it to reflect.
Everything I’m doing is based on research i have shared sporadically over the years but is taking time to web because to me everything is important so I can’t just share one part.
Okay. I have numbness on the back of my hands so it’s time to rest!
I’m feeling a little overwhelmed by health and trying to finish any project at all right now. I have a few projects I feel I should finish before starting anything new. But the reality is I have stalled on them for the same reason: health.
This doesn’t make it easier, it feels like more pressure. More pressure to do something really great before I can’t at all. More pressure for each event I miss because I fear I’ll still miss the next. This isn’t FOMO like we know it, this is real, this is genuinely not seeing people I care about due to predicatbly unpredictable health issues.
So what would that be. Do I want that to be a project I have been working on for 10 years or start something new that might be easier or more fulfilling.
I have most of my projects in one place, but I also have the clay and plastic and paint stuff out of sight as it’s winter and my workroom is not fun in winter. Especially not mow!
So Maleficent? Ahsoka? Sunburst? Spanish silver ensemble? The Mina? Elissa… Elissa could work. I finally bought another 10m of netting for the support. Just have to figure out where to put it! Probably another layer of short ruffles. I think that makes it 40m of net in total! And then Maleficent horns. Then it’ll be warm enough to go out and work on Ahsoka. I need to wait until my rib heals before even thinking of The Mina as It really feels like the end of the bone of the rib is exposed.
Do I want a break?
I do want to get my Cleves perfect so I am about to sit up in bed and get warm and watch Netflix. I need to clip fabric from the haube as it’s too bulky and I want to also line the neckline jewels properly. SO happy with how beautifully I finished the gown and sleeves 🙂 Might just do some tidying of the shirt sleeves though.
I was going to do a lot of machine sewing to get her ready for Coronation so I instead took the time I had to sew by hand. Some of it went really welll, some like the haube is fiddly because the accessories are just not the way we are used to. I need to make my haube tie and also make sure all the gathers are near the crown. I may wind up pleating on my head form instead.
There may even be time to get pearls on the partlet. What is weird is I have a very long neck so I can wear my collar and show the full band of gold.
Okay, I now have my second lot of antibiotics 9note, not for the flu but for the secondary bacterial infection I have had since day two of the flu!)
My Anna von Kleve Julich & Berg gown is done aside from some hooks and eyes in the skirt.
The bodice and sleeves fit nicely but I am ver narrow, and after the flu moreso… so today I get to hunt for all the wool shoulderpads I can as I will need enhancement.
The hanging sleeves are finally hemmed, woohoo, and the chemise just needs a button and some seam finishing (the sleeves were french seamed originally and so I need to just tidy a few inches between the cuffs and up the arm. I really want to take some excess linen out but will leave that until I’ve worn it a few times. The sleeves look so pretty though and will make a lot of garb look really good. And I know what my nest two frocks are 🙂 So excited.
So it may be that I will have to use a lot of cunning machine work in my velvet Cologne so that I can actually get her done 🙂
And I may be able to get my documentation for her up fairly soon. But I want the Spanish stuff up first as a handy practical guide 🙂
And I’d like to get all my garb patterns webified especially with so many lovely extant patterns out there now to use as references and (please buy these!!!)
I do have my haube. I may use my machine and then hand stitch over the top. That’s how I did my belt. The machine acted like basting which is hidden by gold braid. So I’m just waiting to hear back from some people who want to see this in the next few days and then I can have a proper rest and start collection info for my final workshop 🙂
Oh and my jeweled neckline. That’s a lining. Same with my frontal decoration on my stickelsche.
Firstly some headgear progress 🙂 Becase my pearlwork is so dimensional I need a flat brocade front, and then am able to have a flat but slightly more texture brocade for the haub.
Then we have the brocade for the collar and neckline. Yep, pressed the brocade into a curve! Ditto for the piece above actually 🙂
I’m super happy about the collar 🙂 I keep readjusing the neckline though.
I have tried it all on and I think I’ll just do some judicious padding of my inner layers as I am rather not as wide across my chest.
The skirt has a flatlining, and I kind of wish I hadn’t but it would require some serious careful unpicking because I used a triple stitch. This makes the diagonal seams as strong as if I had used a backstitch- I’ve had side seams pop a few times and the weight of this hem would definitely do that!
And yes, I have been working on her distinctive partlet 🙂 Pearling is not going to be fun but what the hey?
#anneofcleves hem has to be done by hand. As I can’t tell when I’ve overdone things I am just making myself stop after 4m. So I have done 4m today which is 1/8 of the gold hemming. Then need to do the wool guards.
#anneofcleves front of gown. I can taste all the metal from my hands. Yes all the gold is metal and silk. It is very heavy, very firm and absolutely the right decision to track down Saree of this type.
#anneofcleves arghh! Heat n bond is going to save my butt but it reduced the stretch so now I am short. But this is the CB seam so I’ll just take the ksirt in. Historic answer, no. But I dislike mismatch patterns!