my pink cleves gown and some inspiration behind it

Pink Cleves gown , c1540s

From Facebook: Emily Gibbs‎ to Canterbury Faire 201829 January at 19:58 · Kaikoura Suburban, New Zealand

I am so inordinately happy with this! It has everything I love about the Cranach Saxon style with the weirdness of everything in the Nordrein (North Rhine.)

But it is weird. I’ll break down all the weirdness as I go but of note is the tone on tone. I deviated a little from the original, or rather combined two (three) figures in one. So the pink ground of two and the crimson velvet borders of another.

But tone on tone is very definitely part of this region, especially in the red/pink tones. And especially as velvet on a flat fabric.


Bildnis einer Frau 
Zuordnung:kölnisch
Datierung:um 1555/1560Sachbegriff:Gemälde
Sammlung:Köln, Wallraf-Richartz-Museum, Sammlungskontext: Stiftung Dr. Hubert Dormagen / Kerp, Inventar-Nr. WRM 3300, Zugang: 1980.12.31, Dauer: ab 1980.12.31

Kostüme der Männer und Frauen in Augsburg und Nürnberg, Deutschland, Europa, Orient und Afrika – BSB Cod.icon. 341
Publishing place: Augsburg
Year published: 4. Viertel 16. Jh.
Pages: 384
BSB Call Nr.: Cod.icon. 341
Project ID: BSB-Hss Cod.icon. 341
URN: urn:nbn:de:bvb:12-bsb00011752-7

Thuringen, I am not sure, Cologne (see what I mean by variations of spelling!)

So this is just one manuscript, and the Cologne image might be shot gold and red, but it is from the period. this is a hand drawn costume book, so little concern about it being coloured in at a later date. This work is full of pink as a main fabric. Full. But I am specifically looking for the tone on tone elements.

The Triumph of Maximillian is another illustrated book full of pink. But here again I have limited to tone on tone in red/crimson.

 

Title Triunfo del Emperador Maximiliano I, Rey de Hungría, Dalmacia y Croacia, Archiduque de Austria :… de quien están descritas y colocadas en esta colección las acciones gloriosas de S.M. Imperial, durante su vida…
Date entre 1501 y 1700?

Edition S.XVI-XVII Type Manuscrito

Subject Maximiliano I, Emperador del Sacro Imperio Romano Germánico

Page 96 and 97 and 97 again.

(these are huge zoomable images)

 

 

 

(Royalty Guide and Wikicommons respectively)

Sophia von Mecklenberg, married the Duke of Brauchweig, part of estphalia and so also has the mix of influences.I did not know of this image until today, however I am familiar with the two pieces of stonework depicting her in a very similar dress- I had it set aside as research for the sleeves, this confirms that the sleeves are weird, hooray! She was buried in Cell an

But the colours are nearly identical to my frock 🙂 So that is exciting. I was working with a limited range of fabric.

I knwe of her through the following images from Bildindex (handy hint, grabmal is a great search term for looking for images

 

Grabplatte der Herzogin Sophia von Mecklenburg
nach 1541 Grabplatte, Grabskulptur,  Sandstein

Standort: Celle, Kirche, Evangelisch-lutherische Stadtkirche Sankt Marien, Chor

Gedächtnis: Sophia (Mecklenburg, Herzogin) Herzogin Sophia von Mecklenburg war die Gemahlin Ernst des Bekenners

Also a full 3d view

  

Epitaph des Herzogs Ernst des Bekenners und seiner Frau Sophia, Herzogin von Mecklenburg
Cornelis Floris (2) (Werkstatt) 1576 Epitaph, Grabskulptur Alabaster

Standort: Celle, Kirche, Evangelisch-lutherische Stadtkirche Sankt Marien, Chor (Nordwand)

Gedächtnis: Ernst (Braunschweig-Lüneburg, Herzog) Gedächtnis: Sophia (Mecklenburg, Herzogin)

So side track aside there are many more examples of red based tone on tone garments of the wider region.

 
Both by Noclas Neufchatel.

Brady hart Gallery and wikicommons and liveinternet respectively.

These are of course from Nuremberg and so are quite a distance, but we see the range of tones for tone on tone (also the red dyed braids!!!)

 

1516 Circle of Hans Holbein the Younger (1497-1543) Portrait of Dorothea Meyer, wife of Jakob Meyer zum Hasen (Basel)

From Barbara Wells Sarudy’s post about winter clothing

Kunstauktionshaus Schloss Ahlden GmbH 2017 

Christoph Amberger
(Um 1505 Nürnberg – 1561/62 Augsburg) attr.;
Portrait der Maria Hieronymus Sulzer

This is much more suble, and leaning towards the crimson on yellow seen at about the same rate.

 

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