puzzlecunt:

You guys need to see the stack of costumes I’ve started, for serious. I have a serious problem with getting excited about new projects too easily! Currently started, with unknown finish dates, off the top of my head, are: 3x Granado Espada costumes, 2x Aion costumes, 1x Draenei Death Knight, 1x Dark Eldar (not the one I’m working on actively now), Silk Spectre I, a GW necromancer and a bunch of half-baked concept pieces. I know I have more in boxes. It’s all good until you realise you’ll never finish them all, and that’s when you start feeling really shitty 🙂

This is why I am about to destash if I can 🙂 I have hoarded pretties just to have the pretties but I have already gotten rid of about 150L of fabrics (gifted to friends) and am considering offering costume “kits from my stash to entice people into getting their own projects started 😉 Like silver fabric for an Apailana costume… my shot green pleasted skirt and precut (and overlocked) bodice pieces for a Natural form/slight bustle gown.
My rack of actually in progress for reals UFOs barely fits in a double wardrobe, the bar is sagging and I can’t actually get anything off the bar without having to really push other projects aside. 
I have looked at this row of unfinished projects for months now. Now that I am well I have no desire to finish them but to make new things. *Cry*

Finally my lists!

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I like shopping list paper to remind myself of smalljobs required to finish projects.
Here we have a few fixes for Rachi Sitra. Some cosplay contest notes, Rebel Legion Notes and…. Darth Talon notes 🙂 Yep I want to try and aim for the next round of conventions as I do not know when my current good health will last 🙂 I am nicely full of protein and B vitamins and low on steroids (had a high dose) and I can press my face and not scream in pain.
Anyway these notes mean I can start work in the morning 🙂

Oh I even found rigid eva and thin sticky eva. Time to trial some soft armour.

oftheforest:

grimsperation:

Michele Caragher 

Embroidered details in Game of Thrones 

‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.

After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator. 

The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.

As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.

Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.

Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’

Text and images from  http://www.michelecarragherembroidery.com

God, that embroidery is so gorgeous! I had no idea that third dress was so detailed after seeing it on the show… Amazing work.

I’m so glad her work is getting recognised! I’ve been so wanting a Game of Thrones in Detail 😉 (Ummm.. the V&A has several costume books called “X in Detail- I have two of them but there are more). This is a really good example of how much is lost on screen so you do need to have all that texture in the fabric and surface treatments to make a costume look- for want of a better word- real. 

Her work is glorious, so many techniques and all seamlessly worked in and blended. Amazing blend of art and artistry.

Is this really a progress update?????

Heh, my last two reblogs both had a feathery theme… so now for something completely different!

Tentacles! So my previous set of lekku work best when worn SWTOR style. But with Rachi I need to wear them slightly further forward. It causes more folds on the underside than I want but I could do some careful surgery I could quite quickly remove them of make them really adorably like wee fat rolls. I will do so later. I have finally got some more paint to mix to shade and also do more permanent markings (the liquiset paint came off in the rain!)

But I am also nearing completion of my next set and they are finally starting to look like they grew out of the head form.

They started off looking like some mutant whole chicken ready for roasting, if you bred your chicken to have bendy legs 1m long….

Then a very pimply uneven scarred set of things growing from the desk. And finally now I have some skin texture, but I would like to make the face and ends a little smoother.

So next bit of progress…. SINUS INFECTION HAS BEEN BANISHED!!!!!!!!!! *pretend flail because there is too much RA activity to really* By the power of Roxy no less 😉 Roxithromycin anyway. This means being able to wear these lekku! So I’m going to be working on refitting a few costume elements for both costumes 🙂

jtotheizzoe:

Yes, unfortunately the Velociraptor mongoliensis is more like a very aggressive roadrunner than a man-eating murder machine. But those aren’t the ‘raptors from the movies.

The “velociraptors” of Jurassic Park fame are actually Deinonychus, a (slightly) taller, equally roadrunnerish combination of tail and sickle-shaped toe claw. D-nikes (I made that name up) were not huge, but that claw could easily split you open like a bag of spaghetti. 

There’s no real confirmation that they were “clever girls” or hunted in packs, and the insistence of JP’s directors on not adding feathers to these almost-certainly feathered death-chickens is kind of like a claw-toed slap in the face to paleontology.

Just like the great T. rex (which we talked about last week), our image of these dinos changes with new science, and will continue to change. Our fiction needs to change with them.

(Dino images via Colin Douglas Howell on Wikipedia)

Death-chickens! Thoughts on Horner’s ideas about taking a regular chicken and turning it in to a real death chicken?

For those who haven’t yet seen: Building a dino from a chicken

Dark am I, yet comely, o ye daughters ov jerusalem: ericainchoate: anarcheluxemburg: No one better give me shit like “I…

Dark am I, yet comely, o ye daughters ov jerusalem: ericainchoate: anarcheluxemburg: No one better give me shit like “I…

shaevizlarules:

Darth Tykhi in her Revan Robes 🙂 They do differ a little from the Cinematic but hey, that’s not really surprising knowing even a skerrick about 3D models and such 🙂

And yes, I do want a set for myself in real life 😉

For Sylvie 🙂

Also it took me a while to get used to the way lekku are represented in this game. They do though feel quite real (little rolls at the base, and they look weighty). Until you step in a lift and head down and your lekku fold in half… 

tittybasket:

I had never noticed that sweet fuckin’ bodice/evil girdle/whatever before, fuck it’s awesome

I bought the set for my Sith Inq 🙂 It’s also used on *spoiler* in the game. I can get you some sweet screencaps if you like? She is currently on makeb in this set 🙂 I really wanna make this from the last of my leather. Also in game it looks like nipple rings. The skirt also has nice big rings as well.

Want me to go a capping? I may also manage to pull up some Thana Vesh caps or see if I can spend some credits on Than’s chestpiece 🙂 Her’s is the other in game armour I want 🙂

jtotheizzoe:

Eta Aquarid meteors over New Zealand this week, photographed by Stephen Voss over the course of 90 minutes.

Every spring, Earth crosses the orbital trail of Halley’s Comet. While we’ll have to wait until 2061 to see the actual comet again (I am old enough to remember seeing it back in 1986, though, so nah!), each year we get a fresh sprinkling of comet tail dust into our atmosphere at 150,000 mph. As Earth whips through, the debris appears to radiate out from the constellation Aquarius, which is evident in the photo above.

It’s a coincidence, but a beautiful one. Read more about the Eta Aquarids at EarthSky and Bad Astronomy.

Sadly I live in Auckland and it is currently… being Auckland- rain rain and more rain.

Stunning images.

And yes, I saw Halley’s comet back in 86 as well 🙂