Over the years I have come to the conclusion I have a very distinct style, even across multiple eras and genres. There is a very obvious pattern to what appeals when one is a maker first, fan second.
I am a fan of when function meets form. So working out a puzzle of construction is incredibly satisfying. If it has to be draped on the stand all the better. Fabric manipulation for fit especially.
Contrast. Big colour and texture blocks. But that can sometimes be subtle, like the seam details on the backs of late 18thC bodices.
I keep flicking between eras/genres and it’s because I want to understand how the very different constructions affect fit and perceptions of ideal body types. The 1920s velvet gowns I’m making superficially look like the bias cut gowns of a decade later but really rely on different fabric use to achieve it.
Right now I’d love to do an essay on how extant items can tell us more about how clothes were made than first appearance. But it is a bit reliant on getting some of my own gear finished. So that is the aim this year. Finish the historic projects to really highlight what I want to say.
Got a lot of writing and sewing to do to actually get there though!