Currently she is in a pile on the floor in my room. But I did it. I test patterned doing the dress as a single piece and I am going to try and do that for the final version- seam lines were great and the skirt was full without being too full. At least for the lining. I don’t think I want the same skirt fabric under the bodice sequins….
Super fun, so fun. However I was terrified. I think N. and A. may have picked up on stress but it’s not just a worked-in-to-fatigue stress it was a “I feel ugly and ungainly and stupid” stress (not part of the other aspect of wearing big hair, big make up and what was essentially a pageant dress!) But it was all relieved when we got to the carpark and I heard a muffled “OH MY GOD!” from the back of a people mover. And then someone said “awesome cosplay” so I mentined the CNZ facebook page. Pimping the community at every opportunity.
And then at the cinema foyer… teens, tweens and little girls just came flocking. I’m not saying my costume was amazing or I was but it was wonderful to be part of making people smile. And wow, do people love Elsa. So much. Having her as an accidental antagonist rather than villain was a good move.
Anwyay, so I’m very happy, one of my materials has arrived 🙂 Hopefully it’s a cooler shade than on the site but if not I deliberately got matte sequins to be able to get some overcoating.
But seeing Elsa in full cinema scale rather than on the tv or computer in the various releases (love the snow fight tv spot!) it’s pretty clear Elsa is very definitely shaded to the green side of aqua and its really closer to a duo tone than interference. SIgh. That is hard to get in sequins. Very hard. Her cape seems t be darker on the inside than outside, which I think is more a marker of how light reflective the ice particles are (and looking at them… It would be best to use scattered sequins than anything else as the cape needs to be super light and also those pariticles are large and at least evenly spaced and scattered. So I may be breaking out my giant frame of doom.
It should be easier than Glinda’s bubble dress for me though. The issues with that were two fold: I had to cut the petals individually to know I had enough and to easily store the various pieces. This made pining to net on the frame and use of the frame tricky. The other was the randomness of the size and shape of the sequins. I can do rows of beads and sequins quickly, it really is easy when you have the same shape to guide you, the difficulty is when the shape goes against the base shape you are working around! But as I’d be using all the same shape then tension of the thread and muscle movement is pretty repetitive. So much easier.
But then I will want a very different net. Possibly. It does look very sheer in photos and it is very light. It’s also durable. Which is vital- the hem of my gown is shredded, so the final gown will also get a handy dandy facing that will overlap slightly (pretty sure like the Eleanora di Toledo gown..) so the very edge is protected and the facing can be removed for washing. Like a balyeuse for 1870s dresses 🙂 Which were made from super delicate laces and sheer linen/cotton so good for washing but made liable to shred on cobblestones!
Anyway. My wig was also a good test practice 🙂 While the marketing media for Elsa has her with a quite warm super pale blonde she has had a blue rinse in the movie 😉 So I’ll give my wig a spot of tlc so I can use it for another costume and see if I can find a wig and matching wefts. Her braid is super full. Definitely needed two wigs. Sadly because I didn’t have a chance to condition my wigs they wound up very matted on the underside where the wig sat against my cape.
And that’s another thing! I should be putting a bridal tulle over everything. The reason why? The sequins will snag my hair, wig and any other fabric. My hair got totally tangled in the diamantes on my Black Diamonds costume and I also was lucky my gloves came up as far as they did to protect my arms from sequin rash 😉
So lessons learned: Yes to having a separate support layer (but with the hips better shaped) yes to the wig style but with softer wig hair! (the acrylic rinse made it all a bit crunchy- but easy to wash out 🙂 ) and yes to having a costume that is child friendly 🙂
Test fit, the zip is pretty rigid but I do need boning. I may top stitch the seam allowances first then put in boning cases and trim. I will indeed do lacing up the back as I am loving this front zip business!
I had an invisible zip in my first version but this chunky metal zip will last forever!
Frizzy wig!!!!! Sorry for the fuchsia hair peeking out I will use a spray to tone that back.
So this is going to be weird- I did have a big break before doing the jewels and pinning to the skirt. Now I will need to press the pleats again before sewing.
Possibly will machine the pleats at the upper most row of ribbons. And then I still need to work out how far apart to do the appliques on the skirt between the tabs. Before mountng it all on the net under skirt and sewing the heavy tabs in place. Then the drapery and the huge snaps down the back and freacking huge fence hook at the waist and hiding it all with the faux bodice.
But man that trellice so makes the hem. It just makes it so Phantom.
Had to be hand sewn, both the shape (open lattice) and the shine (gold thread shreds as it is) made machining just all terribad.
Now I need to take a big break, like for a day, and then the gems go on and I start pinning it to the top of the pleated hem and hand sew to that. I see a lot of pinning to avoid tears.
But.. oooh look!
Finally a workroom that is organised and has clear space for photos!!!!! Which means yay tomorrow I can get squishing with silicon and supporting my other molds. In the photo the bodgy mannequin with the foam head has my reshaped and supported Leia hair slide molds 🙂 The hair tie mold? Fits perfectly inside a piece of pipe so I am just keeping it in that 🙂 I may have to trim the edges but aside from that it is really good 🙂
Just laid over the bodice but the front two jewelled pieces are done- sans backing and fastening.
And to show just how much work there is in these I have omly barely started the back piece. Organza appliques, couched cord and galloon, applied Saree pieces. I still have to finish the couching then bead (both on a frame) then the jewels and looped braid.
These do look very Aussie/world tour because I used the shapes of Marina’s gold tone appliques with the larger coloured jewels of Maree/Danielle’s bodice and the slight heart dip in the top.
I have started the wrist pieces, but deviating a little and keeping with the gold on back of the jewelled pieces.
Oh and yes, that is a super chunky metal zip up the front 🙂 I will lace the back as well.
I have taken this project to a friend’s house every Xmas for the last few years.
This will be the last time but there is so much on this costume that even if it is finished I can probably bring it along for tradition and put just a jewel on. 🙂
Jewels are just sitting in place but I’m putting them on now 🙂