Last time I tidied my room I mixed up whether I would put notions with projects or keep them under beads/lace/braid/etc. so the featherlite Heat n Bond was somewhere else entirely. With it I can fuse my layers of mina fabric together so I can sew all the cording channels 🙂 Then press it again and it’s all gone.Fantastic 🙂
I found one pack of colour remover but I swear I have some more. That said I use so much that I may as well find some.. oh, one sec.
I can’t seem to catch a beak this year. I am totally torn as to how to deal with my current costuming issues.
One of the realities of corsetry is it encases flesh, muscle, bone, organs. It’s also not just a matter of reshaping a corset to measurements but some styles of corsets simply exaggerate or resist properties.
I seem to do best with a gusseted corset and I’m thinking a mix of cords and steels are actually my best bet. With this kind of corset I can also adapt it to different eras the lower slung 1860s the higher 1890s and even the higher 1810s- the gussets change shape but the stability of the body panels, the simplicity of the body panels work with my torso. I just still need to take care with the shape of the hip gore and I think in fact that cording that will help a lot with what I am trying to do- create a slightly more oval shape through the hips as generally I wind up smooshing everything into a smooth circle all around.
So the stalling is from again a lack of fabric suitable for a really good and pretty and accurate looking corset. So just ordered some.
Another stalling issue is that my really lovely sateen princess gown has decoloured over time. I think I just need to put the whole thing through some more colour remover as opposed to bleach. Now that means a trip to spotlight. Might have to ask for help with that.
But really this is where I have been stuck with Marie Antoinette (cutting the steels for the stays and hoops) Ahsoka (it’s too cold and wet to work with latex and have it cure well) Sunburst (I have mucked up every aspect ever since I started cutting in 2007.
Well I can at least share research- but not much as my RA is acting up so I need to get tested and that means no steroids before the test or no inflammatory markers will be present!)
So off to heat my hands… and try some more therapy as well.
Okay, note the tv type and the lack of carpeting, I drafted this back in ’06 ish for my princess line sheer gown. So clearly I was determined that it would indeed be princess line!
I would however like to make a very extended train and a full balayeuse to make the hem swish.
I just needed to refresh where seams are most likely to appear, and I am pretty right here. Darts at the front but they may need to be longer, and seams at the back. I may or may not break out Patterns of Fashion again.
I will give my black and white gown one last press to see if I can bring it back to wearability before I turn the ruffles into a balayeuse as they have heavy lace already in the edge.
So obsessed by this plate. The lace I’ll be using is indeed the same, but I removed the colour with RIT colour remover. (Kiwis beware- a lot of the DYEGON pots you see in Dylong store displays is bad. I don’t know why they suddenly appeared but they are solid which means the active ingredient is no longer active.)
So once I repattern the petticoat I’ll recolour the plate again and doodle on it to show what it should look like made from lace and net 🙂
I’ll be altering the bodice proportions a little to male the lace and net cut out effect at neckline and arms more obvious 🙂