Also a good guide to how very flared her gown is! Official source too 🙂 You can download the free, official papercraft doll of Elsa here:
But this is why my gown really works so well. I zoomed the PDF to grab this little corner:
What you are seeing is a fabric with vertical chunky striations- light reflecting back to different degrees- AND an overlay of tulle! You can see it right in the middle.
If you are viewing this post on my site my background image is a close up of my fabric layers showing how micro-sequins sewn in vertical lines give the same effect as well as the tulle overlay which cuts the shin down towards the hem of the skirt! This is a bit like the effect seen here- when the light bounces back directlyy (like on the hips or outer folds of the skirt) you can’t see the tulle, but where the light doesn’t shine back directly the tulle is visible and the background appears darker.
This is a classic theatrical technique. It not only controls how sequins sparkle but protects them from scratching and being pulled out.
Also note how the paper skirt is a cone but the texture pattern clearly also shows folds in the hem. This is absolutely true to her film gown (just watched the transformation scene on blu-ray while making this post 🙂
So I love this gown for all those reasons. Clever patterning based on pre-modern shapes, use of layering textures to hide what they really are because that’s what you do for high end couture and theatrical costumes 🙂 Basically what we do in the real world to make magic 🙂
