I have been trying to work out a way to have fancy chemise sleeves as per my Cleves dress and just was getting very lost. Until I remembered that I already have the solution. pins!
This is my c1560s woolen Cologne gown. This is taken pretty much from the de Bruyn Trachtenbuch. So the skirt overlaps at the front to allow it to be worn open or closed. The sleeves are half length with matching hanging sleeves. The sleeves are actually half length and then matching hanging sleeves pinned on.
This is not totally interpretive. Hanging sleeves are listed separately in inventories and it is possible to see the pins in the woodcuts.
(A. de Bruyn, citizens from Cleves.)
Okay so they look more like thumbtacks here, on the far left, but that curvy line is also seen in obviously pinned on fitted sleeves (also found in inventories.)
Note also the watered silk lining on the far left. And what is a likely glossy lining on the far right. Note the turn backs of the sleeves and skirt. And the short sleeves over fitted sleeves. This is a fantastically modular wardrobe,
(A. de Bruyn, citizens of Cologne)
So you can see my wool gown is much more Colone in style but uses the Cleves plate for the pins information. I think other plates show pins used horizontally, which is how I use mine.)
The sleeves for my earlier Cleves dress are probably held on in a similar way. I’m assembling my current cache of images and documents to see if it does have support not just makes sense. It is also helping me figure out how to use my decorative under sleeves as well. No one puts brocade or heavy embroidery on something direct to the skin or part of a washing chemise.
So, very excited, I’ll be able to make more sets of hanging and under sleeves for my earlier dresses which makes them possible to be worn for a week long event.
I am remaking my linen Cleves/Cologne dress into a simple kirtle. To do this I removed the half length sleeves and turned the seam allowance under. I over handed the red linen and canvas layers to the canvas layer, then turned the seam allowance of the black linen lining and overhanded the edge to the previously turned seam allowances.
I also unpicked my overhanded waist seam to move the overlapping skirt edges to line up with the fastening end of the bodice.
I will need to cut down the neckline as the high curve is after 1550, while a slightly dipped square neck is more appropriate pre-1550.
Otherwise it’s very much the same- perfectly round waist, skirt fullness directed to the back. Side seams that appear to be in line with the back of the arm, very stable neckline.
Later the bodice appear to lengthen a little but it’s actually more to do with a more vertical bodice line- once you pull the body in tighter the bust is raised and the neckline creeps up. Narrower shoulderline completes the apparent lengthening.
Ideally that is 🙂 In reality bodies resist most extreme changes so I ‘m going to remove the hooks and eyes and add lacing rings so I can leave the kirtle open a little in front to soften the torso shape.
The skirt front gets an additional pleat that points to the back to reflect some of the artwork in costume books of the time.
These times of the year are both intensely personal and about community. Today I will be spending time with my mum and with friends. And we will create 🙂
So far I have taken a pattern from my woolen kirtle to remake with a linen lining- this is based on on the extant kirtle in Patterns of fashion as it is very comfortable and I am going to try and see how to lay it out for best fabric use.
I also made a basic outline for my schaube, mainly to check I have enough fur to cut all in the same direction- it seems so.
After spending a day yesterday sorting out some of my many old Frazzled Frau files. I still have about 1000 distinct images to sort, I am going to see what pearl designs I have that can be used for my new Cleves cap. It will also be used to decorate a brustuck (oh.. oh! I think I have something to follow up here.)
So I need to set up my frame. I think I will want the full frame up so I can possibly pearl several pieces in one go. Or just my little ones… let’s go see.
Oh! And my linen bleaches super fast suggesting that yep it really is linen 🙂
I’m going to finally spend some quality time with my SCAdian friends so I need a day dress that fits in with my new fancy frock. I’ve got my 1560s wardrobe mostly sorted (woollen dress, linen- it might get changed a bit to reflect newer research- sripy silk, velvet dress is in the process of being restored.) But this 1530s style is just so darn cute. Sadly the photographs I have do not do justice to my Anne of Cleves dress so I’ll be getting photos of my entire kit separately and get it online about the time I get my research up. I have two streams of research to get online and they depend on each other so there is a bit of a delay.
But I’m so keen to get this day dress sorted that I just cut the bodice and part of the lining now. And am about to cut a hat. Because pink hat to match pink frock is just too cute to pass over.
I’m hoping to get some linen to line the dress on Friday as I think I did spot some in a not terribly obnoxious colour. But I do need some nice plush velvet for the trim. I may be able to use heat n bond again to place the guarding and then hand stitch the edges down. The artwork doesn’t show a couched braid at the edges but all the extant pieces do. The Moritz von Schen schaube is especially nice for this. So I may see if I can find some narrow braid to sew down at the same time.
I’ll need felt to line my hat too. And I get to pearl it 🙂 I am ridiculously excited by this project again 🙂
I’m feeling a little overwhelmed by health and trying to finish any project at all right now. I have a few projects I feel I should finish before starting anything new. But the reality is I have stalled on them for the same reason: health.
This doesn’t make it easier, it feels like more pressure. More pressure to do something really great before I can’t at all. More pressure for each event I miss because I fear I’ll still miss the next. This isn’t FOMO like we know it, this is real, this is genuinely not seeing people I care about due to predicatbly unpredictable health issues.
So what would that be. Do I want that to be a project I have been working on for 10 years or start something new that might be easier or more fulfilling.
I have most of my projects in one place, but I also have the clay and plastic and paint stuff out of sight as it’s winter and my workroom is not fun in winter. Especially not mow!
So Maleficent? Ahsoka? Sunburst? Spanish silver ensemble? The Mina? Elissa… Elissa could work. I finally bought another 10m of netting for the support. Just have to figure out where to put it! Probably another layer of short ruffles. I think that makes it 40m of net in total! And then Maleficent horns. Then it’ll be warm enough to go out and work on Ahsoka. I need to wait until my rib heals before even thinking of The Mina as It really feels like the end of the bone of the rib is exposed.
Do I want a break?
I do want to get my Cleves perfect so I am about to sit up in bed and get warm and watch Netflix. I need to clip fabric from the haube as it’s too bulky and I want to also line the neckline jewels properly. SO happy with how beautifully I finished the gown and sleeves 🙂 Might just do some tidying of the shirt sleeves though.
I was going to do a lot of machine sewing to get her ready for Coronation so I instead took the time I had to sew by hand. Some of it went really welll, some like the haube is fiddly because the accessories are just not the way we are used to. I need to make my haube tie and also make sure all the gathers are near the crown. I may wind up pleating on my head form instead.
There may even be time to get pearls on the partlet. What is weird is I have a very long neck so I can wear my collar and show the full band of gold.
Okay, I now have my second lot of antibiotics 9note, not for the flu but for the secondary bacterial infection I have had since day two of the flu!)
My Anna von Kleve Julich & Berg gown is done aside from some hooks and eyes in the skirt.
The bodice and sleeves fit nicely but I am ver narrow, and after the flu moreso… so today I get to hunt for all the wool shoulderpads I can as I will need enhancement.
The hanging sleeves are finally hemmed, woohoo, and the chemise just needs a button and some seam finishing (the sleeves were french seamed originally and so I need to just tidy a few inches between the cuffs and up the arm. I really want to take some excess linen out but will leave that until I’ve worn it a few times. The sleeves look so pretty though and will make a lot of garb look really good. And I know what my nest two frocks are 🙂 So excited.
So it may be that I will have to use a lot of cunning machine work in my velvet Cologne so that I can actually get her done 🙂
And I may be able to get my documentation for her up fairly soon. But I want the Spanish stuff up first as a handy practical guide 🙂
And I’d like to get all my garb patterns webified especially with so many lovely extant patterns out there now to use as references and (please buy these!!!)
I do have my haube. I may use my machine and then hand stitch over the top. That’s how I did my belt. The machine acted like basting which is hidden by gold braid. So I’m just waiting to hear back from some people who want to see this in the next few days and then I can have a proper rest and start collection info for my final workshop 🙂
Oh and my jeweled neckline. That’s a lining. Same with my frontal decoration on my stickelsche.
Firstly some headgear progress 🙂 Becase my pearlwork is so dimensional I need a flat brocade front, and then am able to have a flat but slightly more texture brocade for the haub.
Then we have the brocade for the collar and neckline. Yep, pressed the brocade into a curve! Ditto for the piece above actually 🙂
I’m super happy about the collar 🙂 I keep readjusing the neckline though.
I have tried it all on and I think I’ll just do some judicious padding of my inner layers as I am rather not as wide across my chest.
The skirt has a flatlining, and I kind of wish I hadn’t but it would require some serious careful unpicking because I used a triple stitch. This makes the diagonal seams as strong as if I had used a backstitch- I’ve had side seams pop a few times and the weight of this hem would definitely do that!
And yes, I have been working on her distinctive partlet 🙂 Pearling is not going to be fun but what the hey?
I finally bit the bullet and am going to have my own Fealty Chain for the SCA 🙂
I have several enameled medallions on the way to mix in with my hand wired roundels already shared.
These are going to be used to make a full set of neckline jewelery as per the Bruyn and Holbein portraits or Anna von Kleve Julich und Berg 🙂 I’ll be aiming more for the Holbein style as it is very obvious as to the solidity of the border versus the main body. That little wrinkle at her right should (our left) shows this so very well.
I’ve also cleaned brass leaves and flowers and will work on my kranz (wreath) as I should be able to replace nearly all those leaves.
I love this book. It was a very lucky find a good decade ago. It does suffer from an Anglo centric view though. Calling Anna’s clothing unfashionable and not tasteful is just not correct.
She was incredibly stylish.
She just happened to live in a region with nearly equal influence from the Burgundian courts and Saxon courts. And her dress right here? Exactly what you’d expect! The other Bruyn portrait, and less successful copies, also show pretty much what you’d expect!
This is why I love Koehler and Boehn as resources- very continental so you see the general shapes from the Italian states, from the Burgundian/French/English courts, and also Saxon. All those Cranach beauties.
But more to the point there are still assumptions that the annulment was all her fault for not being pretty enough, not being “stylish” enough, not being clever enough.
Need I say more than that she wound up an independent woman with enough money that she was able to spend poorly and still be safe politically and financially? That even though she didn’t know English she managed to survive insulting Henry (by accident but in front of lots of people)?
I suspect then as now it is much easier to understand Dutch if you are used to English and vice versa than it is to speak either. The language Anna spoke is much closer to Dutch than Deutsche then and now.
Sentence structures are so similar I can read personal documents of the region and understand them. Yes I’m looking for clothing terms but I’ve read a heck of a lot of gossip in doing so! And so I think Anna was not only much smarter than the English have made her out to be but understood what was happening right then and there. yes, she would have needed help to write her letters, but she knew the content.
Obviously she couldn’t go back home- but by staying she also had to survive conspiracies. And the court was absolutely full of very dangerous intrigue.
To survive that takes more than just luck or a yielding nature. If she was that easily manipulated she would have been so the rest of her life. And we know she was used politically. A pamphlet written as if it was her was shared on the Continent and yet she survived those too. Not many people survived one bout of politcal manipulations, let alone several attempts to get her back in the marriage game. Yes, there were people who wanted her to be queen long after. In the English court that is.
So no, I don’t think she has had fair shakes!
Okay so this is one of the roundels 🙂 It is a circular pendant with a brass flower in the center, a moonstone bead in the flower, and 6 large pearls around the outside. The laurel medallions are bout the same size so will have the same brass lowers in the centre with garnet beads in the centres. And I’m going to try and get the extra beads and flowers on my stickelsche.
Or I may wind up putting the garnets on these to make them look even less like the white rose used for another order 😉 Six petals vs five and obviously not roses, but sumptuary laws are sumptuary laws.
I did manage all the brocade stitching yesterday. I need to press it before stitching the joins but basically six rows of more than 4m a row through metal brocade was a nightmare.
Yes that is overlocking, no it will not remain for long. I do need to get some tape over the seam allowances but this keeps the edges stable until then. It may not be possible to find enough linen to make facings.
I think you may be able to tell the thickness from these photos, but that is a big needle. I need big needles so I can use all my fingers to push the needle through. Usually I can do this in a way that doesn’t require a thimble but this was so grippy… my needles did need to be pushed through at the very end and I can’t use thimbles so I have a bit of healing to do.
note: calluses are not good. They are brittle and less able to resist the pressure from a needle end.
I am looking at a leather thimble for my ring finger though. I sew and write using all my fingers anyway due to how my fingers curve unhelpfully, so I’ll test thimbles on each finger to see what works best.
No I am not able to use short needles please do not recommend ways of using them. I am though looking at just restocking more frequently. Pincushions have the sharpener for steel needles. Well most modern needles are chromed. This means you can’t really sharpen them to the same degree. Also the profile of the points can vary so I need to look to see if there is a specific brand and type that i can continue to buy.
I’ll see if I can get some photos/video of why short needles are so bad for me!